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As a provider of educational opportunities
for students, The Pacific Northwest Film Scoring
Program does not offer services for professional
productions, filmmakers or composers. Student musicians
who perform on the scores do so for the educational
experience of working in a recording studio environment. |
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ABOUT FILM SCORING
What is Film Scoring?
Film scoring is usually described as the process of writing
dramatic music to accompany scenes in major motion pictures.
More broadly, it also refers to writing the music for television
shows, mini-series, documentaries, commercials, and public
service announcements. Even some video games are accompanied
by original musical scores. The name "film scoring"
applies to writing music for all these types of visual productions.
What Does It Take to Write Film Scores?
To write the musical score for a film, a person must first
possess the same basic skills required of any composer. He
or she must be able “to transcribe ideas into musical
notation using harmony, rhythm, melody, and tonal structure,”
as the popular Occupational Outlook Handbook describes it.
This ability typically requires formal training in music composition.
The art of film scoring, however, requires certain additional
skills.
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First of all, film composers should be versatile in their
ability to work with many different genres of music. While
some composers prefer to write in only one musical style throughout
their careers, such as jazz or chamber music, film composers
should be able to move from style to style with ease. One
project might require grand orchestral overtures; the next
might call for Bluegrass or Celtic themes. In fact, interest
in writing various types of music is a primary reason many
composers pursue work in film.
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Writing music for film also requires a great
sense for drama, similar to that of an actor. Oftentimes the
film score is thought of as an additional cast member, since
the music that accompanies a scene can add a great deal to
the film’s overall dramatic effect, as anyone who remembers
the ominous attack theme from the film “Jaws”
will understand.
Film scoring also requires technical skills that other types
of musical composition do not, particularly in the area of
“timings and synchronization.”
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Composers for concert works, for example, can devote as much
time as they choose to developing a certain mood or emotion,
be it twelve bars or an entire movement.
Film composers, however, are always presented with completed
scenes that have been edited for maximum dramatic effect by
the director and film editor. Their job is to compose a score
that not only fits the length of those scenes, but also creates
the appropriate mood while synchronizing with the action on
the screen.
Finally, film composers must also be able to work quickly.
While the entire production of a film might require two years
or more, the musical score often must be composed and orchestrated,
have the parts copied, and be recorded and mixed into the
sound track of the film in a matter of weeks.
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A film composer must first and
foremost have the same basic training required
of any composer. If, however, that individual
can also write in a variety of styles, possesses
a keen dramatic sense, and enjoys the challenge
of creating the right music to fit the length
and action of a scene, then he or she may have
the skills needed to practice the art of film
scoring.
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